“The four large and crisply printed photographs – three of which use anonymous books as mirror-like objects to contort beams of light over woodland backgrounds, the other a zoomed-in nightscape of rhizomatic, pearl-white mushroom shoots – seem to act as auxiliary frames edited from the final cut of 'Circle in the Sand'.”

— Matthew Erickson, Frieze

Information and pricing available from Carrie Secrist Gallery