Line Describing Your Mom
6 min / SD / 2011This is the new choreography of devotion, via the vlog of southern nightmares. This is the light that never goes out. This is the line describing your mom.
FOR PREVIEW PURPOSES ONLY.
This is the new choreography of devotion, via the vlog of southern nightmares. This is the light that never goes out. This is the line describing your mom. - MR
"Line Describing Your Mom—its title a cheeky nod to Anthony McCall’s canonical “solid-light” film Line Describing a Cone (1974)—sets altered footage of amateur liturgical choreography to the sounds of a woman’s YouTube confessional. Here and elsewhere, Robinson makes familiar media strange again, exploring collective memory through a poetics of devotion and loss." - Whitney Museum of American Art, for 2012 Whitney Biennial
"[A] work absolutely worthy of its exceptional title. After a few moments watching a dance troupe position themselves in a dragon-like pose, Michael Robinson drops the beat with a fiery explosion and what sounds like a karaoke version of a Gloria Estefan song, leaving behind a throbbing pulse of green light which washes over the audience and helps pull one out from the heavy flicker of the dance troupe. It's a heavily layered, affecting work that recalls that initial moment of irrational fear after waking from a nightmare.” - Doug McLaren, Cine-File
"Line Describing Your Mom—its title a cheeky nod to Anthony McCall’s canonical “solid-light” film Line Describing a Cone (1974)—sets altered footage of amateur liturgical choreography to the sounds of a woman’s YouTube confessional. Here and elsewhere, Robinson makes familiar media strange again, exploring collective memory through a poetics of devotion and loss." - Whitney Museum of American Art"[A] work absolutely worthy of its exceptional title. After a few moments watching a dance troupe position themselves in a dragon-like pose, Michael Robinson drops the beat with a fiery explosion and what sounds like a karaoke version of a Gloria Estefan song, leaving behind a throbbing pulse of green light which washes over the audience and helps pull one out from the heavy flicker of the dance troupe. It's a heavily layered, affecting work that recalls that initial moment of irrational fear after waking from a nightmare.” - Doug McLaren, Cine-FileTHE SEVENTH ART review
BOMB interview
HONORABLE MENTION - 2012 Onion City Film FestivalFULL EXHIBITION HISTORYRENT: VIDEO DATA BANKEDITION OF 5: CARRIE SECRIST GALLERY